1 00:00:12,840 --> 00:00:15,680 Serious music 2 00:00:15,880 --> 00:00:45,159 {\an1}... 3 00:00:45,400 --> 00:00:49,040 {\an3}- Since yesterday, I've been returning the thing. There's nothing wrong. 4 00:00:49,280 --> 00:00:52,200 Your prints on the knife, your DNA on the body, 5 00:00:52,440 --> 00:00:55,240 the balm of Peru, your lies... Everything accuses you. 6 00:00:55,480 --> 00:01:00,240 {\an1}... 7 00:01:00,440 --> 00:01:02,880 {\an3}-Baltha, listen to me. 8 00:01:03,080 --> 00:01:05,880 {\an3}If you don't help us understand... 9 00:01:06,120 --> 00:01:08,360 - You risk passing your life in jail! 10 00:01:11,319 --> 00:01:14,520 {\an3}Hey oh, you wake up now! You say something! 11 00:01:14,760 --> 00:01:17,240 Say it's not you, ask a lawyer! 12 00:01:17,440 --> 00:01:18,720 Damn but damn, 13 00:01:18,959 --> 00:01:20,160 say something! 14 00:01:22,520 --> 00:01:23,640 - It's me. 15 00:01:27,000 --> 00:01:28,120 Camille snickers. 16 00:01:31,720 --> 00:01:34,000 {\an3}- What is it, your sabotage lease? 17 00:01:34,240 --> 00:01:35,720 {\an3}What are you doing to me? 18 00:01:37,280 --> 00:01:39,720 {\an1}- I'm sorry, I have nothing else to say. 19 00:01:45,319 --> 00:01:47,200 - Go ahead, handcuff him now. 20 00:01:47,400 --> 00:01:57,120 {\an1}... 21 00:01:57,360 --> 00:01:59,240 Damn! 22 00:01:59,480 --> 00:02:02,240 Generic 23 00:02:02,480 --> 00:02:06,640 {\an1}... 24 00:02:06,880 --> 00:02:08,880 A door unlocks. 25 00:02:14,080 --> 00:02:15,720 - What are you doing here? 26 00:02:15,960 --> 00:02:18,080 - I'm coming to check on your condition 27 00:02:18,320 --> 00:02:20,080 is compatible with... 28 00:02:20,320 --> 00:02:22,200 You know why I'm here. 29 00:02:25,800 --> 00:02:27,160 {\an3}Turn up your sleeve. 30 00:02:33,520 --> 00:02:35,320 {\an1}- You came to enjoy 31 00:02:35,560 --> 00:02:37,040 of the show? 32 00:02:37,280 --> 00:02:39,040 - Do you mean what you say? 33 00:02:54,560 --> 00:02:56,720 Your systolic pressure is 200, 34 00:02:56,960 --> 00:02:59,240 {\an3}very high voltage. 35 00:02:59,480 --> 00:03:02,440 {\an3}It can cause headaches and myodesopsia. 36 00:03:02,639 --> 00:03:03,680 {\an3}You know. 37 00:03:03,919 --> 00:03:07,080 Soft music 38 00:03:07,280 --> 00:03:10,080 {\an3}Heart rate at 100 per minute. 39 00:03:10,320 --> 00:03:11,400 {\an3}It's fast. 40 00:03:11,600 --> 00:03:18,000 {\an1}... 41 00:03:18,240 --> 00:03:20,560 {\an3}You have pupils very dilated. 42 00:03:21,960 --> 00:03:24,000 - I just want it to stop. 43 00:03:25,840 --> 00:03:27,160 Please. 44 00:03:27,400 --> 00:03:33,520 {\an1}... 45 00:03:33,760 --> 00:03:35,320 {\an3}- Clench your fist. 46 00:03:35,520 --> 00:04:00,800 {\an1}... 47 00:04:01,000 --> 00:04:02,520 Dr Vésinet knocks on the door. 48 00:04:02,720 --> 00:04:07,960 {\an1}... 49 00:04:08,160 --> 00:04:09,680 - It's driving me crazy. 50 00:04:09,880 --> 00:04:12,680 {\an3}We are there with nothing we can do to get him out of there. 51 00:04:12,880 --> 00:04:15,720 - Our job is not to prove his innocence. 52 00:04:15,920 --> 00:04:19,120 It's hard to say it like that, but everything points to him. 53 00:04:19,320 --> 00:04:20,480 Delgado breathes. 54 00:04:20,720 --> 00:04:22,520 No, you know that as well as I do. 55 00:04:22,720 --> 00:04:27,040 Balthazar swallowed anxiolytics, he refused to seek treatment. 56 00:04:27,320 --> 00:04:31,080 With what he learned about Maya... - What is this bullshit? 57 00:04:31,360 --> 00:04:34,520 - He could have lost his temper. I don't believe it, but... 58 00:04:34,760 --> 00:04:37,160 - Balthazar, he's our friend. You know him. 59 00:04:37,400 --> 00:04:39,000 - So what? 60 00:04:41,040 --> 00:04:42,720 - It can't be him. 61 00:04:42,960 --> 00:04:45,520 - Seriously, how many times you heard that, 62 00:04:45,720 --> 00:04:47,080 “it can’t be him”? 63 00:04:47,320 --> 00:04:50,560 {\an3}How many times have you asked relatives, relatives 64 00:04:50,800 --> 00:04:53,279 who said that? We can't think like that, 65 00:04:53,480 --> 00:04:54,560 we don't have the right. 66 00:04:54,800 --> 00:04:56,200 Message notification 67 00:04:58,680 --> 00:05:01,640 It's the process. He is referred. 68 00:05:03,600 --> 00:05:05,000 - Great... 69 00:05:05,240 --> 00:05:07,800 Soft music 70 00:05:08,000 --> 00:05:10,120 {\an1}... 71 00:05:10,320 --> 00:05:11,920 Disturbing music 72 00:05:13,640 --> 00:05:16,160 {\an3}- You always thought that you had no luck, 73 00:05:16,360 --> 00:05:18,040 {\an3}that you were a black cat. 74 00:05:18,279 --> 00:05:19,600 {\an3}You're not a black cat, 75 00:05:19,800 --> 00:05:22,360 {\an3}you're just a psychopath who is ignored. 76 00:05:23,760 --> 00:05:26,279 {\an3}They are so cute to make excuses for you, 77 00:05:26,520 --> 00:05:28,880 to tell yourself that you are maybe innocent, 78 00:05:29,080 --> 00:05:30,680 while everything matches. 79 00:05:30,920 --> 00:05:33,920 This is the police file the clearest of the year. 80 00:05:34,120 --> 00:05:36,600 Your medical file, we don't even talk about it, 81 00:05:36,839 --> 00:05:39,880 it’s so obvious. Don't you want to play with me? 82 00:05:41,320 --> 00:05:43,480 {\an3}Come on, please, play with me. 83 00:05:45,040 --> 00:05:46,720 Don't you want to play with me? 84 00:05:46,960 --> 00:05:50,640 Okay, I'm going to play all alone, then... 85 00:05:52,000 --> 00:05:53,560 So... 86 00:05:53,800 --> 00:05:55,440 {\an1}The Balthazar case. 87 00:05:57,560 --> 00:05:59,680 {\an1}1: blackout. 88 00:06:01,480 --> 00:06:04,520 You talk to the dead, which is frankly not healthy, 89 00:06:04,760 --> 00:06:08,279 what can be schizophrenia, 90 00:06:08,520 --> 00:06:12,320 psychogenic amnesia, a split personality. 91 00:06:12,560 --> 00:06:14,360 Conclusion: you're crazy, huh. 92 00:06:14,560 --> 00:06:15,800 Tare. Then you have 93 00:06:16,040 --> 00:06:18,160 cenesthetic hallucinations, 94 00:06:18,400 --> 00:06:20,040 impulse phobias, 95 00:06:20,240 --> 00:06:22,880 where you feel to lose control. 96 00:06:23,080 --> 00:06:25,240 Conclusion: you're even more crazy. 97 00:06:26,880 --> 00:06:28,640 2... 98 00:06:28,880 --> 00:06:30,880 “Hallucinations.” 99 00:06:33,040 --> 00:06:36,040 To finish, you have feelings of suffocation 100 00:06:36,240 --> 00:06:38,440 and difficulty in inspiration. 101 00:06:38,680 --> 00:06:43,400 3: reached respiratory tract, 102 00:06:45,279 --> 00:06:46,920 {\an1}what can be 103 00:06:47,160 --> 00:06:49,240 anxiety attacks, panic. 104 00:06:49,440 --> 00:06:50,960 Either way, we don't care. 105 00:06:51,160 --> 00:06:53,640 Conclusion: you're crazy, you're crazy and you're crazy. 106 00:06:53,880 --> 00:06:56,400 I'm sorry, my little cat. 107 00:06:56,640 --> 00:06:58,120 No, really, 108 00:06:58,320 --> 00:07:00,680 nothing can save you or change 109 00:07:00,920 --> 00:07:01,920 my diagnosis. 110 00:07:02,120 --> 00:07:03,920 - Dr. Vésinet said that I had 111 00:07:04,120 --> 00:07:07,040 a systolic pressure of 200, hypertension. 112 00:07:08,440 --> 00:07:10,400 - Oh! So 4... 113 00:07:13,880 --> 00:07:15,920 Intriguing music 114 00:07:16,120 --> 00:07:17,440 {\an1}... 115 00:07:17,680 --> 00:07:19,320 Hypertension. 116 00:07:19,560 --> 00:07:21,000 So what? 117 00:07:21,240 --> 00:07:24,720 {\an1}- With my anxiolytics, I should be hypotensive, 118 00:07:24,920 --> 00:07:27,000 {\an1}not the opposite. It's not logical. 119 00:07:28,360 --> 00:07:29,360 - Yeah... 120 00:07:29,600 --> 00:07:31,880 - And I have pupils very dilated. 121 00:07:32,120 --> 00:07:33,480 - Oh. 122 00:07:33,680 --> 00:07:35,760 5: mydriasis. 123 00:07:40,840 --> 00:07:43,320 {\an1}- It could be the symptoms of a drug, 124 00:07:43,520 --> 00:07:45,800 {\an1}a mixture of atropine and scopolamine, 125 00:07:46,040 --> 00:07:47,200 for example. 126 00:07:47,440 --> 00:07:50,480 That would explain my blackouts, my hallucinations, 127 00:07:50,680 --> 00:07:52,160 my difficulty breathing, 128 00:07:52,400 --> 00:07:54,600 {\an1}my high blood pressure and even mydriasis. 129 00:07:54,800 --> 00:07:55,800 {\an1}Everything. 130 00:07:56,040 --> 00:07:59,600 If I took this shit, we could do what they wanted of me, 131 00:07:59,840 --> 00:08:02,200 send me to Wy-dit-Joli-Village, 132 00:08:02,440 --> 00:08:03,880 make me kill someone 133 00:08:04,080 --> 00:08:06,640 or make me believe that I killed someone. 134 00:08:06,880 --> 00:08:09,960 - Pretty ! I just a very small question. 135 00:08:10,160 --> 00:08:13,360 How did you do to swallow all that? 136 00:08:13,600 --> 00:08:17,240 - If my hypertension is incompatible with anxiolytics, 137 00:08:17,440 --> 00:08:19,440 what I take for weeks, 138 00:08:19,640 --> 00:08:21,280 It's not anxiolytics. 139 00:08:21,480 --> 00:08:22,720 It's my therapist, Lise. 140 00:08:24,000 --> 00:08:25,600 He's the one who poisons me. 141 00:08:25,840 --> 00:08:28,120 - Yeah. No, I'm the one who takes care of it. 142 00:08:28,360 --> 00:08:29,600 I'll get it. 143 00:08:35,040 --> 00:08:36,640 {\an1}We have to go. 144 00:08:36,880 --> 00:08:39,080 {\an3}We'll take you to the investigating judge. 145 00:08:39,280 --> 00:08:41,679 {\an3}I'm going to call a lawyer, a friend. 146 00:08:41,880 --> 00:08:44,600 {\an3}We'll see if he arrives to convince you to defend yourself. 147 00:08:44,800 --> 00:08:47,559 {\an1}If you want to tell me something, it's now. 148 00:08:47,760 --> 00:08:50,840 {\an1}Afterwards, I won't be able to do anything for you. - It already is. 149 00:08:51,040 --> 00:08:52,559 {\an1}Everything is against you, Raph. 150 00:08:52,800 --> 00:08:56,440 {\an1}Scopolamine and atropine disappear after a few hours. 151 00:08:56,640 --> 00:08:59,880 You only have one guess. If we throw you in jail, it's over, 152 00:09:00,080 --> 00:09:01,880 {\an3}you won't be able to prove anything anymore. 153 00:09:02,120 --> 00:09:04,000 {\an3}Muffled voice - Let me help you. 154 00:09:04,200 --> 00:09:06,600 Normal voice - You don't know who's behind this. 155 00:09:06,800 --> 00:09:09,720 {\an1}She might be in on this. You don't know her. 156 00:09:11,080 --> 00:09:13,679 {\an3}Muffled voice - Wait for me there. 157 00:09:15,760 --> 00:09:17,559 Normal voice - You can't anymore 158 00:09:17,760 --> 00:09:19,600 trust no one. 159 00:09:19,800 --> 00:09:23,120 {\an3}You have to get through this all alone. 160 00:09:23,360 --> 00:09:24,800 {\an3}- OK, as you wish. 161 00:09:25,000 --> 00:09:27,400 {\an3}Take this, It's going to be a long day. 162 00:09:29,720 --> 00:09:31,400 {\an1}- I'm sorry, Camille. 163 00:09:31,640 --> 00:09:33,400 {\an3}- Sorry for what? 164 00:09:33,640 --> 00:09:36,800 Action music 165 00:09:37,040 --> 00:09:38,280 Stop! 166 00:09:38,520 --> 00:09:47,280 {\an1}... 167 00:09:53,800 --> 00:09:55,920 Look, he's limping. - Captain? 168 00:09:56,160 --> 00:09:57,960 {\an1}We canvassed the entire neighborhood, 169 00:09:58,200 --> 00:10:01,840 {\an1}we watched the video surveillance but that doesn't do anything. 170 00:10:02,160 --> 00:10:04,360 - Damn, but it's not possible! 171 00:10:06,120 --> 00:10:07,559 Innocent, right? 172 00:10:07,800 --> 00:10:09,320 Hectic music 173 00:10:09,559 --> 00:10:11,120 What the hell is this? 174 00:10:11,360 --> 00:10:12,559 {\an1}- We requisition. 175 00:10:12,800 --> 00:10:15,360 {\an3}- Hey oh, there! What exactly are you doing? 176 00:10:15,600 --> 00:10:18,840 {\an1}- Captain Costes, I suppose? Commander Miliotis, 177 00:10:19,080 --> 00:10:22,400 {\an1}National Research Brigade fugitives. I'm coming to help. 178 00:10:22,640 --> 00:10:24,480 {\an1}Finally, I'm coming to do your job. 179 00:10:24,720 --> 00:10:28,480 - I beg your pardon ? - I understand that the suspect 180 00:10:28,720 --> 00:10:31,559 {\an1}had jumped out of the window under your supervision, 181 00:10:31,760 --> 00:10:35,040 {\an1}so either you are complicit, or you are incompetent. 182 00:10:35,280 --> 00:10:37,160 Fast-paced music 183 00:10:37,400 --> 00:10:39,240 {\an1}... 184 00:10:39,440 --> 00:10:40,640 {\an3}- Listen, ass-comb, 185 00:10:40,880 --> 00:10:43,679 {\an3}are you going to relax or I'll put you my hand in your mouth. 186 00:10:43,880 --> 00:10:44,679 - Camille. 187 00:10:44,920 --> 00:10:48,600 {\an1}- Raphaël Balthazar is in the media and held a sensitive position. 188 00:10:48,840 --> 00:10:51,160 {\an1}Let him be accused, it's already complicated, 189 00:10:51,360 --> 00:10:54,040 {\an1}but he ran away, it's a disaster 190 00:10:54,280 --> 00:10:58,000 {\an1}and it's all your fault, so I order, is that clear? 191 00:10:59,760 --> 00:11:01,040 Is it clear or I 192 00:11:01,280 --> 00:11:02,360 {\an1}get out of the case? 193 00:11:02,600 --> 00:11:04,240 - It's clear. - Alright. 194 00:11:04,480 --> 00:11:06,160 Brief in 10 minutes! 195 00:11:06,400 --> 00:11:07,920 We're going to get him! (- Asshole!) 196 00:11:09,520 --> 00:11:12,040 {\an3}Come on, get to work! What are you looking at? 197 00:11:14,480 --> 00:11:16,480 Dark music 198 00:11:16,679 --> 00:11:19,840 {\an1}... 199 00:11:20,040 --> 00:11:23,360 Breathtaking music 200 00:11:23,600 --> 00:11:26,480 ... He whines. 201 00:11:26,720 --> 00:11:31,520 {\an1}... 202 00:11:31,760 --> 00:11:33,120 He groans in pain. 203 00:11:33,360 --> 00:11:44,040 {\an1}... 204 00:11:44,240 --> 00:11:45,280 Cry of relief 205 00:11:45,480 --> 00:11:48,240 ... Police siren 206 00:11:48,520 --> 00:11:50,480 ... ... 207 00:11:50,679 --> 00:11:51,760 -Thank you, Delgado. 208 00:11:52,000 --> 00:11:53,640 ... ... 209 00:11:53,880 --> 00:11:57,440 {\an1}... 210 00:11:57,640 --> 00:11:59,640 Hubbub Dark music 211 00:11:59,840 --> 00:12:04,480 ... ... 212 00:12:04,679 --> 00:12:08,080 - Good. I asked the command to launch a general appeal, 213 00:12:08,320 --> 00:12:12,240 transmission of the report patrols and registration 214 00:12:12,480 --> 00:12:14,960 {\an1}to file wanted people 215 00:12:15,200 --> 00:12:17,280 with national broadcast and control 216 00:12:17,520 --> 00:12:19,600 {\an1}in airports, stations and ports. 217 00:12:19,840 --> 00:12:23,400 Our suspect is wearing blue jeans, a navy blue zipped vest, 218 00:12:23,640 --> 00:12:26,200 brown leather shoes and he limps because 219 00:12:26,440 --> 00:12:28,520 from an injury following his fall, 220 00:12:28,720 --> 00:12:30,480 so we check pharmacies, 221 00:12:30,720 --> 00:12:34,040 hospitals and places which could serve as a refuge. 222 00:12:34,240 --> 00:12:36,320 He knows how it works of the police 223 00:12:36,559 --> 00:12:40,240 and he is suspected of a double homicide of extreme savagery, 224 00:12:40,520 --> 00:12:43,440 so we are precise, methodical. We don't know 225 00:12:43,640 --> 00:12:45,840 what he is capable of, we are wary 226 00:12:46,080 --> 00:12:48,360 {\an3}and if necessary, force is used. 227 00:12:50,240 --> 00:12:51,400 {\an3}I'm done. Come on ! 228 00:12:52,400 --> 00:12:55,360 Breathtaking music 229 00:12:55,600 --> 00:13:11,160 {\an1}... 230 00:13:11,400 --> 00:13:13,160 They speak in English. 231 00:13:13,400 --> 00:13:16,280 ... ... 232 00:13:16,520 --> 00:13:18,720 ... Police siren in the distance 233 00:13:18,960 --> 00:13:25,160 ... ... 234 00:13:25,360 --> 00:13:26,160 {\an1}- I don't know! 235 00:13:26,400 --> 00:13:27,800 {\an3}It was just here. 236 00:13:28,040 --> 00:13:34,120 ... ... 237 00:13:34,360 --> 00:13:36,520 Intriguing music 238 00:13:36,760 --> 00:13:37,920 Eddie sighs. 239 00:13:38,120 --> 00:13:40,120 {\an1}- Why he ran away, him too? 240 00:13:40,320 --> 00:13:42,480 {\an1}No one will believe anymore to his innocence. 241 00:13:42,679 --> 00:13:45,920 He's going to get killed if he continues. - He has nothing left to lose. 242 00:13:46,160 --> 00:13:49,200 He does anything. - Dr Saghi, Dr Drouot, at work! 243 00:13:49,400 --> 00:13:52,360 {\an3}We have 3 bodies in the drawers and 5 files to write. 244 00:13:54,440 --> 00:13:56,520 {\an1}- You don't care of all that. 245 00:13:56,760 --> 00:14:00,280 {\an3}You think he gets what he deserves. Everything that matters to you, 246 00:14:00,520 --> 00:14:02,640 {\an1}it's your little one stupid protocol. 247 00:14:04,559 --> 00:14:07,440 - You know what it is the only thing that matters to me? 248 00:14:08,760 --> 00:14:10,520 It's the children of this woman 249 00:14:10,760 --> 00:14:14,120 who want to understand why their mother died. 250 00:14:14,360 --> 00:14:18,160 May Balthazar be inconsistent by evading justice, 251 00:14:18,400 --> 00:14:21,000 {\an1}it's a problem, but they don't have to pay for that. 252 00:14:21,200 --> 00:14:22,880 {\an1}Either you return to work, 253 00:14:23,120 --> 00:14:24,520 or you are replaced. 254 00:14:24,760 --> 00:14:25,960 {\an3}- We don't touch anything! 255 00:14:26,200 --> 00:14:27,120 You search, 256 00:14:27,360 --> 00:14:29,320 {\an3}you take everything. - Who are you? 257 00:14:29,560 --> 00:14:32,360 {\an1}- I misunderstood your name. Who are you ? 258 00:14:32,600 --> 00:14:34,200 {\an3}- Commander Miliotis, BNRF. 259 00:14:34,400 --> 00:14:36,560 {\an3}Do you know where Balthazar could be? 260 00:14:36,800 --> 00:14:38,440 - No, sorry. - Of course. 261 00:14:38,680 --> 00:14:40,840 {\an3}You take risks by lying to me. 262 00:14:41,080 --> 00:14:43,840 {\an3}- She told you no, you didn't understand? 263 00:14:44,040 --> 00:14:46,360 {\an1}- You can lose everything by protecting him, 264 00:14:46,600 --> 00:14:48,480 {\an3}your work, your freedom, 265 00:14:49,640 --> 00:14:51,320 {\an3}your life, ultimately. 266 00:14:51,560 --> 00:14:53,720 {\an1}- You are lyrical, almost a poet. 267 00:14:53,960 --> 00:14:56,400 {\an1}Let us work if you don't have 268 00:14:56,640 --> 00:14:58,600 {\an1}no requisition from the prosecutor. 269 00:14:58,840 --> 00:15:02,880 - I can call him, if you want. - Greet him, he's an old friend. 270 00:15:03,120 --> 00:15:04,680 A phone rings. 271 00:15:06,680 --> 00:15:07,880 ... - Excuse me. 272 00:15:08,080 --> 00:15:09,240 {\an1}Miliotis, I'm listening. 273 00:15:09,480 --> 00:15:11,080 Clink - Don't touch that, 274 00:15:11,320 --> 00:15:12,360 {\an3}it's fragile. 275 00:15:13,640 --> 00:15:15,600 {\an3}- It's okay, you are comfortable, are you? 276 00:15:15,840 --> 00:15:17,200 {\an3}- OK, thank you. 277 00:15:18,840 --> 00:15:20,920 A certain Noah Morton filed a complaint 278 00:15:21,120 --> 00:15:23,280 for a suitcase theft and wallet. 279 00:15:23,480 --> 00:15:25,680 {\an3}The suspect matches with Balthazar. Here we go ! 280 00:15:25,920 --> 00:15:27,360 Breathtaking music 281 00:15:27,600 --> 00:15:30,240 {\an1}... 282 00:15:30,440 --> 00:15:31,640 {\an3}We are going to see each other again. 283 00:15:31,880 --> 00:15:40,400 {\an1}... 284 00:15:40,640 --> 00:15:41,640 Ringtone 285 00:15:50,400 --> 00:15:51,760 Dark music 286 00:15:53,320 --> 00:15:56,480 - Balthasar! You are crazy! - Who are you? How long have you been here? 287 00:15:56,680 --> 00:15:58,640 {\an3}What are you responsible for? in my life? 288 00:15:58,840 --> 00:16:00,480 {\an1}- What are you talking about? 289 00:16:00,720 --> 00:16:04,480 {\an3}- What am I talking about? I've been confiding in myself for months, 290 00:16:04,680 --> 00:16:07,920 {\an3}that you gather information about my life, to analyze myself. 291 00:16:08,160 --> 00:16:10,720 - Let me go. - When you guessed for Lise, 292 00:16:10,960 --> 00:16:12,400 {\an3}I found you super strong. 293 00:16:12,600 --> 00:16:14,920 {\an3}You do your job well, but me too. 294 00:16:15,160 --> 00:16:19,880 {\an3}Your anxiolytics are a mixture scopolamine and atropine. 295 00:16:20,080 --> 00:16:22,840 - I don't understand anything! - In small doses, 296 00:16:23,080 --> 00:16:25,640 {\an3}it allows you to hypnotize his patient easily 297 00:16:25,840 --> 00:16:28,720 {\an3}and if you add more, This is chemical submission. 298 00:16:28,960 --> 00:16:30,560 - I never drugged you! 299 00:16:30,760 --> 00:16:33,440 {\an3}- You're the one who gave me this for months! 300 00:16:33,640 --> 00:16:35,520 - I never drugged you, Good God! 301 00:16:35,760 --> 00:16:37,880 {\an1}I swear to you. Never ! 302 00:16:41,640 --> 00:16:43,480 {\an3}- Tell me that again without lying. 303 00:16:44,800 --> 00:16:46,680 A heart beats very quickly. 304 00:16:47,880 --> 00:16:50,880 - I don't have you never on drugs, ever! 305 00:16:51,120 --> 00:16:54,120 The beats slow down. Dr. Ousmane gasps. 306 00:16:54,320 --> 00:16:57,120 ... ... 307 00:16:57,320 --> 00:16:59,400 {\an3}- That means that someone else... 308 00:17:01,160 --> 00:17:02,880 {\an3}changes the contents of the boxes. 309 00:17:03,080 --> 00:17:04,920 - But no ! - Yes. 310 00:17:05,920 --> 00:17:07,760 {\an3}Either before you give them to me, 311 00:17:08,760 --> 00:17:10,400 {\an3} once I have them. 312 00:17:10,640 --> 00:17:11,800 - But how? 313 00:17:12,000 --> 00:17:14,600 He pants. - I don't know. 314 00:17:14,840 --> 00:17:17,280 I didn't kill all those people. - I believe you. 315 00:17:17,480 --> 00:17:19,680 - I promise you. - I believe you. 316 00:17:19,880 --> 00:17:22,760 {\an3}- Check on your side for medicines. 317 00:17:23,000 --> 00:17:25,200 {\an3}I just want to find who manipulates me. 318 00:17:25,400 --> 00:17:27,440 Afterwards, I will go and surrender. - All right. 319 00:17:27,640 --> 00:17:29,400 - I promise you. - Okay. 320 00:17:30,880 --> 00:17:32,560 Intriguing music 321 00:17:32,800 --> 00:17:35,840 {\an3}- I will be at O'Sullivans in Odéon. Ask Richard K. 322 00:17:36,080 --> 00:17:37,160 - Okay. 323 00:17:38,160 --> 00:17:39,480 {\an1}Hello, hello. 324 00:17:39,680 --> 00:17:47,280 {\an1}... 325 00:17:47,480 --> 00:17:48,880 - Is everything okay, Dr. Ousmane? 326 00:17:49,880 --> 00:17:50,880 {\an1}- Yes, yes. 327 00:17:51,920 --> 00:17:53,080 {\an3}- You are very pale. 328 00:17:54,080 --> 00:17:56,359 I'll get you a glass of water. - THANKS. 329 00:18:05,160 --> 00:18:06,400 *Tone 330 00:18:06,600 --> 00:18:10,200 *-Emergency police. Don't leave, we will take your call. 331 00:18:10,400 --> 00:18:12,280 *Hold music 332 00:18:12,520 --> 00:18:14,359 {\an1}*... 333 00:18:14,560 --> 00:18:15,359 {\an3}Thank you. 334 00:18:15,600 --> 00:18:17,359 *... (- How are you ?) 335 00:18:17,600 --> 00:18:19,960 {\an1}*... 336 00:18:20,160 --> 00:18:23,560 {\an3}- Tell me, you don't have noticed nothing abnormal 337 00:18:23,800 --> 00:18:26,000 {\an3}at the office these last few weeks? 338 00:18:26,200 --> 00:18:27,880 - Well no. *-Emergency police. 339 00:18:28,119 --> 00:18:30,760 Don't leave, we will take your call. 340 00:18:30,960 --> 00:18:33,400 {\an3}- And on the wardrobe to pharmacy? 341 00:18:34,400 --> 00:18:35,320 - Well, neither. 342 00:18:35,560 --> 00:18:38,160 {\an1}*... 343 00:18:38,359 --> 00:18:39,840 Uh... yes. 344 00:18:40,080 --> 00:18:41,400 {\an1}Now that 345 00:18:41,640 --> 00:18:44,080 you say it, there is maybe 3 weeks, 346 00:18:44,280 --> 00:18:45,840 I found it poorly closed. 347 00:18:46,080 --> 00:18:48,200 *-Emergency police. - It was weird, 348 00:18:48,400 --> 00:18:50,119 I always lock it. 349 00:18:50,359 --> 00:18:52,640 {\an3}*-Hello? Hello ? Is anyone there? 350 00:18:55,280 --> 00:18:56,320 {\an3}- Output the list 351 00:18:56,560 --> 00:18:57,840 {\an3}patients today. 352 00:18:58,080 --> 00:18:59,080 {\an3}It's urgent. 353 00:18:59,280 --> 00:19:00,880 - Of course. - THANKS. 354 00:19:01,119 --> 00:19:03,119 Intriguing music 355 00:19:03,320 --> 00:19:07,760 {\an1}... 356 00:19:08,000 --> 00:19:11,320 *-The election race departmental... 357 00:19:11,520 --> 00:19:14,400 Sorry, I'll leave the place to Lisa, our journalist, 358 00:19:14,600 --> 00:19:15,840 for this special flash. 359 00:19:16,119 --> 00:19:18,440 We come back in a short while. 360 00:19:18,680 --> 00:19:20,640 *-No news from Dr Balthazar, 361 00:19:20,880 --> 00:19:24,040 indicted in the case of a double homicide that occurred 362 00:19:24,280 --> 00:19:26,480 a few days ago. Dr. Balthazar, 363 00:19:26,680 --> 00:19:29,080 who led the forensic institute 364 00:19:29,320 --> 00:19:33,800 from Paris, would have evaded to the officers who accompanied him 365 00:19:34,040 --> 00:19:35,880 during his custody this morning. 366 00:19:36,880 --> 00:19:40,920 *-THANKS. Let's talk about announcements... A phone rings. 367 00:19:41,160 --> 00:19:45,200 *relating to future elections. - Bar O'Sullivans, hello. 368 00:19:45,440 --> 00:19:46,960 A moment. 369 00:19:48,240 --> 00:19:50,000 Is there a Richard K here? 370 00:19:50,240 --> 00:19:51,560 Richard K? 371 00:19:51,760 --> 00:19:53,720 *Dynamic music 372 00:19:53,960 --> 00:20:01,920 {\an1}*... 373 00:20:02,119 --> 00:20:04,359 *-Richard? It's Dr. Ousmane. 374 00:20:05,680 --> 00:20:07,760 - Yes. *-I found something. 375 00:20:07,960 --> 00:20:09,359 Come right away. 376 00:20:10,680 --> 00:20:14,000 {\an3}- There, it’s the DPJ, here, his apartment under surveillance, 377 00:20:14,240 --> 00:20:16,720 {\an3}IML and location where he stole the wallet 378 00:20:16,960 --> 00:20:20,600 {\an1}and the suitcase. We have our boundaries telephone calls for 3 months. 379 00:20:20,840 --> 00:20:23,040 - What's the point? next to the suitcase? 380 00:20:23,280 --> 00:20:24,080 {\an3}- Its boundaries, 381 00:20:24,320 --> 00:20:26,680 3 times a week from 10 to 11. There is necessarily 382 00:20:26,920 --> 00:20:28,400 {\an1}a link with this theft. 383 00:20:28,640 --> 00:20:30,080 {\an1}You're his friends, right? 384 00:20:32,040 --> 00:20:34,520 {\an1}A date 3 mornings per week, 385 00:20:34,760 --> 00:20:36,359 {\an1}Does that ring a bell? 386 00:20:36,600 --> 00:20:38,640 Tension music 387 00:20:42,560 --> 00:20:43,920 There is a knock at the door. 388 00:20:49,160 --> 00:20:50,960 {\an3}- Ah but, you were quick! 389 00:20:51,960 --> 00:20:54,600 Serious music What are you doing there? 390 00:20:55,720 --> 00:20:58,320 Fast-paced music 391 00:20:58,560 --> 00:21:03,400 {\an1}... 392 00:21:03,600 --> 00:21:05,600 {\an1}- This is the office from his psychiatrist. 393 00:21:05,840 --> 00:21:06,840 {\an3}- OK, let's move. 394 00:21:07,040 --> 00:21:09,200 {\an1}- Wait, we can think for 2 minutes. 395 00:21:09,400 --> 00:21:11,040 {\an1}Why he would go to his psychologist? 396 00:21:11,280 --> 00:21:14,560 {\an3}- What matters is getting him. The rest, nothing to worry about. 397 00:21:14,800 --> 00:21:16,119 Tension music 398 00:21:16,359 --> 00:21:19,119 - Commander, this is the prefect. He wants to talk to you. 399 00:21:20,240 --> 00:21:21,240 - THANKS. 400 00:21:22,240 --> 00:21:23,960 Balthazar strikes. - Dr. Ousmane? 401 00:21:26,000 --> 00:21:27,000 Dr. Ousmane? 402 00:21:28,640 --> 00:21:30,400 {\an3}Shit! Shit, shit, shit! 403 00:21:30,640 --> 00:21:32,080 Breathtaking music 404 00:21:32,320 --> 00:21:33,880 {\an3}Shit, shit, shit, shit! 405 00:21:35,560 --> 00:21:36,840 {\an3}Oh, damn! 406 00:21:37,040 --> 00:21:39,400 {\an1}... 407 00:21:39,600 --> 00:21:40,800 (Fuck!) 408 00:21:41,040 --> 00:21:43,880 ... Police siren 409 00:21:44,119 --> 00:21:48,640 ... ... 410 00:21:48,880 --> 00:21:55,440 {\an1}... 411 00:21:55,640 --> 00:22:03,840 ... ... 412 00:22:04,080 --> 00:22:10,960 {\an1}... 413 00:22:11,160 --> 00:22:12,160 - Hey oh, you there! 414 00:22:12,400 --> 00:22:15,600 {\an1}... 415 00:22:15,840 --> 00:22:18,280 Tension music - Jerome! 416 00:22:18,520 --> 00:22:20,320 ... Are you coming? 417 00:22:20,560 --> 00:22:22,640 Who is he? - I don't know. 418 00:22:22,840 --> 00:22:25,440 {\an1}- Oh! You stop right away ! 419 00:22:25,640 --> 00:22:26,680 Get him there. 420 00:22:26,920 --> 00:22:28,119 {\an3}What the hell are you doing? 421 00:22:28,320 --> 00:22:29,840 {\an1}Get in, we're going to catch him! 422 00:22:30,080 --> 00:22:40,800 {\an1}... 423 00:22:41,040 --> 00:22:42,000 - Oh! 424 00:22:42,200 --> 00:22:43,840 ... Balthazar whined. 425 00:22:44,040 --> 00:22:45,600 Powerful braking ... 426 00:22:45,840 --> 00:22:47,320 - Come up. ... 427 00:22:47,560 --> 00:22:48,960 Come up! ... 428 00:22:49,200 --> 00:22:56,280 {\an1}... 429 00:22:58,359 --> 00:23:01,960 {\an1}I should have left you to the cops. This hair is a crime. 430 00:23:05,680 --> 00:23:06,880 {\an3}- Where are you taking me? 431 00:23:07,080 --> 00:23:10,280 {\an1}- At my place. We're not supposed to love each other. They will never come 432 00:23:10,520 --> 00:23:11,720 {\an1}pick you up there. 433 00:23:18,960 --> 00:23:21,960 Police siren in the distance 434 00:23:22,160 --> 00:23:25,119 {\an1}... 435 00:23:27,040 --> 00:23:30,359 {\an3}- Why are you helping me? It's not very Mussolini. 436 00:23:30,560 --> 00:23:33,480 {\an1}- Because we trapped you to get you wrongly accused 437 00:23:33,680 --> 00:23:36,119 {\an3}and you need me to prove it. 438 00:23:37,359 --> 00:23:38,640 {\an1}- How do you know... 439 00:23:40,160 --> 00:23:41,160 {\an1}My analyses. 440 00:23:51,600 --> 00:23:53,400 {\an3}- No trace of anxiolytics 441 00:23:53,600 --> 00:23:56,200 {\an3}while you take it all day long, 442 00:23:56,400 --> 00:23:59,240 {\an3}but biomarkers datura and belladonna, 443 00:23:59,440 --> 00:24:02,800 {\an3}what we use to remove any free will to someone. 444 00:24:04,359 --> 00:24:06,960 {\an3}Dr Ousmane told you what? I know it's him 445 00:24:07,160 --> 00:24:09,000 {\an3}which gave you these medications. 446 00:24:09,200 --> 00:24:12,280 {\an3}I figured you would go look for answers there. 447 00:24:13,280 --> 00:24:15,600 {\an3}So? Did you talk to him? 448 00:24:16,480 --> 00:24:17,280 {\an1}- Um... 449 00:24:17,520 --> 00:24:18,880 Ringtone - Excuse me. 450 00:24:21,840 --> 00:24:24,359 {\an3}If it's to invite me to dinner, okay. 451 00:24:24,600 --> 00:24:27,600 {\an3}She snickers. - Um... No... No, it's... 452 00:24:29,520 --> 00:24:32,480 *There is Balthazar's shrink who was murdered. 453 00:24:32,720 --> 00:24:34,840 We must do the findings. 454 00:24:35,040 --> 00:24:37,840 - I'm on a date, I'm sending you someone. 455 00:24:38,920 --> 00:24:42,400 {\an3}See you at the autopsy, OK? *-Okay. Thank you. 456 00:24:43,680 --> 00:24:44,920 {\an1}- Are you holding up? 457 00:24:45,160 --> 00:24:48,080 {\an3}- Um... I don't know. 458 00:24:49,600 --> 00:24:52,200 {\an3}I don't know. Balthazar is the main suspect, 459 00:24:52,400 --> 00:24:53,800 {\an3}he's in some dark shit 460 00:24:55,320 --> 00:24:58,359 {\an3}and above all, I... I have to work 461 00:24:58,600 --> 00:25:01,359 *with an ass comb ready to do anything to catch him 462 00:25:01,600 --> 00:25:05,200 {\an3}and I wonder if my friend is not a serial killer. 463 00:25:05,440 --> 00:25:08,080 *So... yeah, it could be better. 464 00:25:08,280 --> 00:25:10,600 - If you need to talk about it, I'm here. 465 00:25:10,800 --> 00:25:12,600 *-All right. Thank you, Olivia. 466 00:25:12,800 --> 00:25:14,119 Ethereal music 467 00:25:14,359 --> 00:25:21,400 {\an1}... 468 00:25:21,600 --> 00:25:23,119 - I have to tell you... 469 00:25:25,240 --> 00:25:26,800 Doctor Ousmane... 470 00:25:28,040 --> 00:25:29,040 - I know. 471 00:25:31,960 --> 00:25:33,960 {\an1}- Count on me. Thank you, sir. 472 00:25:35,280 --> 00:25:37,160 {\an1}We move on to the reinforced Epervier plan. 473 00:25:37,359 --> 00:25:39,680 {\an1}Order to neutralize him by all means. 474 00:25:41,000 --> 00:25:42,800 - I don't understand what is happening. 475 00:25:43,040 --> 00:25:45,240 - Your friend lost his temper. You saw it 476 00:25:45,480 --> 00:25:47,440 {\an3}run away. What more do you need? 477 00:25:47,680 --> 00:25:49,400 - A mobile, for example. 478 00:25:50,400 --> 00:25:52,119 {\an3}Why would he kill his therapist? 479 00:25:52,320 --> 00:25:54,560 {\an1}- What are you, you, exactly? 480 00:25:54,800 --> 00:25:56,240 His lawyer? 481 00:25:56,480 --> 00:25:58,680 {\an3}Don't forget: you're a cop, Delgado. 482 00:25:58,920 --> 00:26:00,320 {\an3}If you want to stay that way. 483 00:26:01,520 --> 00:26:03,040 Mysterious music 484 00:26:03,280 --> 00:26:06,720 {\an1}... 485 00:26:06,920 --> 00:26:07,920 (- Camille, 486 00:26:08,119 --> 00:26:09,119 {\an1}Camille.) 487 00:26:10,119 --> 00:26:11,760 {\an1}Imagine if he was innocent. 488 00:26:11,960 --> 00:26:14,800 {\an1}We don't know. If so, someone is pulling the reins. 489 00:26:15,000 --> 00:26:16,760 - Captain, lieutenant, here we go! 490 00:26:20,440 --> 00:26:22,840 {\an3}- If he were innocent, he would have spoken to us. 491 00:26:23,080 --> 00:26:24,720 {\an3}He ran away. 492 00:26:25,880 --> 00:26:27,080 {\an3}And now, there’s that. 493 00:26:28,320 --> 00:26:29,560 He sighs. 494 00:26:29,760 --> 00:26:32,080 {\an3}Frankly, I don't know who we're talking about anymore. 495 00:26:35,520 --> 00:26:36,520 {\an3}Come on, come on. 496 00:26:40,320 --> 00:26:41,520 {\an1}... 497 00:26:41,720 --> 00:26:42,720 Shower jet 498 00:26:42,920 --> 00:26:55,200 {\an1}... 499 00:26:55,400 --> 00:26:56,400 Soft music 500 00:26:56,600 --> 00:27:18,240 {\an1}... 501 00:27:18,480 --> 00:27:20,840 ... Clink of scissors 502 00:27:22,840 --> 00:27:24,680 {\an1}... 503 00:27:27,119 --> 00:27:28,119 Doorbell 504 00:27:28,320 --> 00:27:29,320 Rattling 505 00:27:29,520 --> 00:27:32,720 {\an1}... 506 00:27:32,920 --> 00:27:34,440 - Thank you for the clothes. 507 00:27:34,640 --> 00:27:35,680 - Don't mention it. 508 00:27:37,440 --> 00:27:41,359 A moped passes in the distance. 509 00:27:41,560 --> 00:27:42,560 Bells 510 00:27:42,760 --> 00:27:45,320 {\an1}... 511 00:27:45,520 --> 00:27:47,359 {\an3}He laughs softly. 512 00:27:47,600 --> 00:27:49,400 Bells 513 00:27:49,600 --> 00:27:50,800 - Is that yours? 514 00:27:52,560 --> 00:27:54,720 - To Sophie, my last. 515 00:27:54,960 --> 00:27:56,640 - How many do you have? 516 00:27:56,880 --> 00:27:57,880 - Octopuses? 517 00:27:58,880 --> 00:27:59,880 No, children. 518 00:28:00,080 --> 00:28:01,280 {\an1}- Three. 519 00:28:01,520 --> 00:28:04,920 {\an1}And you are not likely to see them, They are each with their father. 520 00:28:05,119 --> 00:28:06,240 {\an1}It's their week. 521 00:28:07,680 --> 00:28:09,280 {\an3}- And how many fathers are there? 522 00:28:10,320 --> 00:28:11,440 - Three too. 523 00:28:11,640 --> 00:28:12,800 Like that, there is equality. 524 00:28:16,760 --> 00:28:17,800 Bells 525 00:28:19,160 --> 00:28:21,520 {\an3}- I imagined you so not like that. 526 00:28:23,320 --> 00:28:24,920 - How did you imagine me? 527 00:28:26,960 --> 00:28:28,800 {\an3}-Hm. You won't like it. 528 00:28:29,040 --> 00:28:30,480 - Say it anyway. 529 00:28:31,640 --> 00:28:35,560 - I imagined you without attachments, without children, without husband, 530 00:28:35,800 --> 00:28:37,240 {\an3}without ex-husband, surely not 531 00:28:37,480 --> 00:28:39,120 {\an3}in an apartment like that. 532 00:28:39,320 --> 00:28:42,920 {\an3}I imagined you in a cold, concrete loft, 533 00:28:43,120 --> 00:28:47,560 {\an3}with lots of marble everywhere and a fridge... 534 00:28:47,760 --> 00:28:49,520 {\an3}empty. 535 00:28:50,600 --> 00:28:51,760 Gravedigger, that is. 536 00:28:52,000 --> 00:28:54,720 {\an1}- Ambitious, glacial and lonely. 537 00:28:56,600 --> 00:28:57,800 {\an1}It sounds cliché, right? 538 00:28:58,000 --> 00:28:59,000 Soft music 539 00:28:59,200 --> 00:29:14,560 {\an1}... 540 00:29:14,760 --> 00:29:16,000 - A bit cliché, yeah. 541 00:29:16,200 --> 00:29:19,480 {\an1}... 542 00:29:19,680 --> 00:29:20,640 She sighs. 543 00:29:26,280 --> 00:29:28,040 {\an1}- What is are you going to do? 544 00:29:30,120 --> 00:29:32,520 {\an3}- I have to find the killer. It's... 545 00:29:34,760 --> 00:29:36,240 {\an3}the only way to prove 546 00:29:36,480 --> 00:29:37,320 {\an3}my innocence. 547 00:29:37,520 --> 00:29:39,600 - Why didn't you talk about it? in Costes 548 00:29:39,840 --> 00:29:40,800 {\an1}or in Delgado? 549 00:29:42,120 --> 00:29:44,360 - I'm not going to involve them. It's too... 550 00:29:46,760 --> 00:29:50,920 hassle, hassle, too much... They risk losing their job. 551 00:29:51,160 --> 00:29:52,480 {\an3}I don't want to. 552 00:29:53,480 --> 00:29:55,240 {\an1}- You know who could it be? 553 00:29:55,480 --> 00:29:58,840 Soft music 554 00:29:59,040 --> 00:30:00,360 {\an3}- No idea. 555 00:30:00,600 --> 00:30:01,840 - Think. 556 00:30:03,120 --> 00:30:05,400 There is surely someone who is angry with you. 557 00:30:05,640 --> 00:30:08,760 Someone who knows enough your life 558 00:30:09,000 --> 00:30:10,760 for having manipulated everything. 559 00:30:11,000 --> 00:30:12,000 Dark music 560 00:30:12,200 --> 00:30:19,960 {\an1}... 561 00:30:21,200 --> 00:30:22,360 -Noah Morton? 562 00:30:24,080 --> 00:30:25,520 In English - That's right. 563 00:30:25,720 --> 00:30:26,840 *Ring 564 00:30:29,200 --> 00:30:31,320 {\an3}- Fill out this form. 565 00:30:31,560 --> 00:30:32,480 Parlor 3. 566 00:30:32,720 --> 00:30:33,720 - Thanks. 567 00:30:33,920 --> 00:30:34,920 Light hubbub 568 00:30:35,120 --> 00:30:40,680 {\an1}... 569 00:30:40,920 --> 00:30:42,000 Clinking of keys 570 00:30:42,200 --> 00:30:46,080 {\an1}... 571 00:30:52,560 --> 00:30:53,560 *She laughs. 572 00:30:53,760 --> 00:30:55,920 *-What is it, this ridiculous disguise? 573 00:30:57,800 --> 00:30:58,920 {\an3}*-It's you. 574 00:31:00,000 --> 00:31:01,840 {\an1}*-What does it do to be the bad guy? 575 00:31:02,840 --> 00:31:04,280 {\an1}To be the one being hunted? 576 00:31:06,040 --> 00:31:08,520 It must be a change from glory and glitter. 577 00:31:08,720 --> 00:31:10,240 {\an3}- I know it's you, Maya. 578 00:31:11,440 --> 00:31:13,920 *I don't know how you did it, but I know it. 579 00:31:14,120 --> 00:31:15,840 *-It makes me happy to see you. 580 00:31:16,920 --> 00:31:20,440 Last time you said that it would be in the assizes, in a cage. 581 00:31:21,680 --> 00:31:23,200 But you couldn't wait. 582 00:31:24,400 --> 00:31:25,680 *-Will you explain to me? 583 00:31:27,640 --> 00:31:29,920 You found another henchman, like January? 584 00:31:30,160 --> 00:31:32,560 {\an3}Someone you manipulated from your cell? 585 00:31:35,280 --> 00:31:38,720 You made him kill Sabrina and... Séverin and my psychologist 586 00:31:38,960 --> 00:31:41,760 {\an3}and you got away with it so that I can be accused in his place? 587 00:31:42,000 --> 00:31:43,200 *Listen carefully, Maya. 588 00:31:43,400 --> 00:31:44,800 {\an1}*-No, you will listen to me. 589 00:31:45,760 --> 00:31:47,720 {\an1}Here I just to lift a finger 590 00:31:47,920 --> 00:31:50,120 {\an1}so that we lock you up in a cage too. 591 00:31:51,400 --> 00:31:52,800 {\an1}Guardian. 592 00:31:53,040 --> 00:31:54,200 - Is there a problem? 593 00:31:54,400 --> 00:31:55,560 Dark music 594 00:31:55,800 --> 00:32:25,000 {\an1}... 595 00:32:25,200 --> 00:32:26,600 *-What did you say? 596 00:32:26,840 --> 00:32:29,640 {\an1}*-There's your daughter, don't stop to move, she feels you. 597 00:32:30,800 --> 00:32:32,920 {\an3}*-What is did you tell him? 598 00:32:33,160 --> 00:32:35,680 *-He told me you would come. He was right. 599 00:32:35,920 --> 00:32:37,080 {\an3}*-What? 600 00:32:37,280 --> 00:32:38,880 {\an3}Who told you that I would come? 601 00:32:41,080 --> 00:32:42,400 She laughs. 602 00:32:42,600 --> 00:32:43,600 {\an1}- It's not me. 603 00:32:45,120 --> 00:32:47,960 {\an1}*I would have liked, I could have taken revenge, 604 00:32:48,160 --> 00:32:50,840 {\an1}that you abandon me, that you leave me to die here 605 00:32:51,040 --> 00:32:53,680 {\an1}even though you promised to take care of myself. 606 00:32:53,880 --> 00:32:55,520 - I didn't promise anything. Who said that? 607 00:32:55,760 --> 00:32:57,000 *She laughs. 608 00:32:57,200 --> 00:33:00,040 {\an1}*-But no, it's not me. Me, I'm stuck here, 609 00:33:00,240 --> 00:33:01,600 {\an1}like a rat. 610 00:33:01,840 --> 00:33:03,400 {\an1}He, on the other hand... 611 00:33:03,600 --> 00:33:05,240 {\an3}*-He who? Who are we talking about? 612 00:33:05,480 --> 00:33:06,720 {\an1}*-He hates you. 613 00:33:06,920 --> 00:33:10,640 {\an1}That's why he killed them: he wants you to suffer, 614 00:33:10,880 --> 00:33:13,560 {\an1}*he wants you to smell the trap closing in on you. 615 00:33:15,400 --> 00:33:17,160 {\an1}*You look a bit similar. 616 00:33:17,360 --> 00:33:19,000 {\an1}You have a bit of... 617 00:33:19,200 --> 00:33:20,400 {\an1}the same look, 618 00:33:20,640 --> 00:33:22,360 {\an1}something a little crazy in the eyes. 619 00:33:22,560 --> 00:33:25,640 {\an3}*-OK. So someone who you met in prison? 620 00:33:25,880 --> 00:33:26,880 {\an1}*-No. 621 00:33:27,080 --> 00:33:28,160 {\an1}No... 622 00:33:29,200 --> 00:33:31,520 {\an1}It's been a long time that we know each other. 623 00:33:31,720 --> 00:33:32,720 Dark music 624 00:33:32,920 --> 00:33:34,960 {\an1}... 625 00:33:35,160 --> 00:33:36,960 {\an1}*You're pathetic, my dear. 626 00:33:38,960 --> 00:33:41,280 {\an1}Do you think there is only one demon on earth? 627 00:33:42,440 --> 00:33:43,400 {\an1}She laughs. 628 00:33:44,400 --> 00:33:45,920 {\an1}It's not Manichean! 629 00:33:46,920 --> 00:33:48,960 {\an1}How do you believe that I found you? 630 00:33:50,520 --> 00:33:52,840 {\an1}*You think I did that all alone? Hmm? 631 00:33:53,080 --> 00:33:54,280 {\an1}She sighs. 632 00:33:54,480 --> 00:33:57,360 {\an1}*If you want to find it, you follow the flight of the six merlettes. 633 00:33:58,880 --> 00:34:00,480 - What ? Oppressive music 634 00:34:00,720 --> 00:34:12,719 {\an1}... 635 00:34:25,480 --> 00:34:26,800 Yeah, thank you very much. 636 00:34:28,080 --> 00:34:29,080 Door closed 637 00:34:40,960 --> 00:34:43,280 *Tone 638 00:34:43,480 --> 00:34:45,520 - 6 merlettes: the coat of arms of Monralieu, 639 00:34:45,719 --> 00:34:48,120 where I grew up, where Sabrina and Séverin were killed. 640 00:34:48,360 --> 00:34:51,560 - I received your results. Thank you for calling back so quickly. 641 00:34:51,760 --> 00:34:53,200 *-OK, you are not alone. 642 00:34:53,400 --> 00:34:56,480 {\an1}- I am in autopsy. The psychiatrist. I'll remind you. 643 00:34:56,680 --> 00:34:58,280 {\an1}*-No, I would like to listen. 644 00:34:59,239 --> 00:35:01,160 {\an1}- In an hour? Alright. THANKS. 645 00:35:05,320 --> 00:35:06,320 It's moving forward, 646 00:35:06,560 --> 00:35:08,160 on your side, Commander? 647 00:35:08,360 --> 00:35:11,280 All your hopes rest on my team, 648 00:35:11,520 --> 00:35:13,400 {\an1}that you criticized yesterday. 649 00:35:13,600 --> 00:35:16,760 {\an3}- We know that Balthazar benefited from outside help. 650 00:35:16,960 --> 00:35:19,360 {\an3}We saw him get into the car in front of the psychologist. 651 00:35:19,600 --> 00:35:23,239 {\an3}We're going to get the registration and identify the owner. 652 00:35:23,480 --> 00:35:25,080 And you, then, what does that give? 653 00:35:26,680 --> 00:35:27,760 - Clean incision 654 00:35:28,000 --> 00:35:30,520 {\an1}and specifies, small irregular notches 655 00:35:30,719 --> 00:35:32,400 {\an1}along the wound, 656 00:35:32,640 --> 00:35:34,480 *indicating a tapered blade, 657 00:35:34,719 --> 00:35:36,800 kitchen knife type. - The same killer 658 00:35:37,040 --> 00:35:39,480 {\an3}that Sabrina Mangin and Séverin Blochet, therefore. 659 00:35:39,719 --> 00:35:41,120 {\an3}- Look, in his throat. 660 00:35:41,320 --> 00:35:43,560 Intriguing music 661 00:35:43,800 --> 00:35:54,760 {\an1}... 662 00:35:54,960 --> 00:35:58,680 {\an1}- Presence of a wooden figurine about 6 cm, 663 00:35:58,880 --> 00:36:00,320 {\an1}embedded in the larynx, 664 00:36:00,560 --> 00:36:02,640 representing a rabbit. 665 00:36:02,840 --> 00:36:05,560 {\an1}... 666 00:36:05,800 --> 00:36:08,120 Disturbing music 667 00:36:08,360 --> 00:36:11,400 - I don't know what I will become without you. 668 00:36:11,640 --> 00:36:13,400 I don't know. 669 00:36:13,600 --> 00:36:25,280 {\an1}... 670 00:36:26,400 --> 00:36:27,400 {\an3}- Jerome. 671 00:36:29,400 --> 00:36:30,400 {\an3}Jérôme! 672 00:36:34,400 --> 00:36:35,400 {\an1}- What? 673 00:36:35,600 --> 00:36:37,800 {\an3}- Call records from Doctor Vésinet: 674 00:36:38,000 --> 00:36:40,000 {\an3}his phone was not hung up. 675 00:36:41,239 --> 00:36:43,120 - Was it him? - I'm sure of it. 676 00:36:43,320 --> 00:36:45,440 {\an3}She screwed herself well from my mouth. 677 00:36:48,680 --> 00:36:51,680 Disturbing music 678 00:36:51,880 --> 00:37:49,360 {\an1}... 679 00:37:49,600 --> 00:37:51,880 *Soft music 680 00:37:52,120 --> 00:38:05,040 {\an1}... 681 00:38:05,280 --> 00:38:07,400 Disturbing music 682 00:38:07,640 --> 00:38:09,640 Soft music 683 00:38:09,840 --> 00:38:31,600 {\an1}... 684 00:38:31,840 --> 00:38:33,840 Disturbing music 685 00:38:34,040 --> 00:39:56,040 {\an1}... 686 00:39:56,239 --> 00:39:57,960 - We take off in 3 minutes. 687 00:39:58,160 --> 00:40:00,160 Tension music 688 00:40:00,360 --> 00:40:03,600 {\an1}... 689 00:40:03,800 --> 00:40:06,239 - Call on cell phone by Doctor Vésinet 690 00:40:06,440 --> 00:40:09,440 comes from a prepaid phone which was limited to Monralieu. 691 00:40:09,640 --> 00:40:11,520 We hold him. Well done, captain. 692 00:40:13,000 --> 00:40:14,200 {\an3}- Did you throw it away? 693 00:40:15,760 --> 00:40:19,160 - He's a fugitive. - Hey, that's our friend! 694 00:40:19,360 --> 00:40:22,360 Are you throwing it away? - You piss me off, with your morals. 695 00:40:22,560 --> 00:40:25,440 You think I like it, that I'm having a great day? 696 00:40:25,640 --> 00:40:28,640 {\an3}If there is a chance that he lost his temper, 697 00:40:28,840 --> 00:40:32,840 {\an3}you want us to count the bodies that our friend sows in his path? 698 00:40:35,920 --> 00:40:38,320 {\an3}If you can't be a good cop, you can stay. 699 00:40:40,040 --> 00:40:43,360 {\an1}- You know what? Fuck you. 700 00:40:43,560 --> 00:40:45,560 Heavy music 701 00:40:45,760 --> 00:40:48,200 {\an1}... 702 00:40:48,440 --> 00:40:50,440 There's a knock at the door. 703 00:40:50,640 --> 00:40:54,840 {\an1}... 704 00:40:55,040 --> 00:40:58,480 - Raphael, what are you doing here? - I have to check something. 705 00:40:58,680 --> 00:41:01,680 Intriguing music 706 00:41:01,880 --> 00:41:35,120 {\an1}... 707 00:41:35,320 --> 00:41:37,320 Soft music 708 00:41:37,520 --> 00:42:33,719 {\an1}... 709 00:42:33,920 --> 00:42:35,800 {\an1}- You forget again something. 710 00:42:36,000 --> 00:42:40,880 {\an1}... 711 00:42:41,080 --> 00:42:44,880 These books, these toys, They weren't yours. 712 00:42:45,120 --> 00:42:47,680 {\an1}... 713 00:42:47,880 --> 00:42:50,680 {\an1}Well there you go! Finally you see me! 714 00:42:50,920 --> 00:42:52,920 *Soft music 715 00:42:53,120 --> 00:43:00,960 {\an1}... 716 00:43:01,160 --> 00:43:02,960 You erased me from your memory? 717 00:43:04,560 --> 00:43:06,560 Heavy music 718 00:43:06,760 --> 00:43:13,239 {\an1}... 719 00:43:13,440 --> 00:43:17,040 I've always been there. Buried inside you. 720 00:43:18,120 --> 00:43:20,719 {\an3}- Raphael! Raphael! 721 00:43:20,920 --> 00:43:23,800 Sobbing 722 00:43:24,000 --> 00:43:25,400 {\an1}My son! 723 00:43:25,600 --> 00:43:27,800 {\an1}... 724 00:43:28,000 --> 00:43:29,520 {\an1}You, drop that knife! 725 00:43:29,719 --> 00:43:32,200 {\an1}... 726 00:43:32,400 --> 00:43:34,280 {\an3}His hands! Don't look! 727 00:43:34,480 --> 00:43:42,440 ... ... 728 00:43:42,640 --> 00:43:44,440 Scream of horror 729 00:43:44,640 --> 00:43:46,719 {\an1}... 730 00:43:46,920 --> 00:43:50,120 {\an3}- Why, Alexandre? In front of your brother, too! 731 00:43:50,320 --> 00:43:54,760 {\an1}... 732 00:43:54,960 --> 00:43:56,560 {\an1}- You remember, now? 733 00:43:56,760 --> 00:43:57,760 - Stop! 734 00:43:58,000 --> 00:44:00,000 Let me go! - You can't stay there. 735 00:44:00,200 --> 00:44:02,200 You can't stay there. - Let me go! 736 00:44:02,400 --> 00:44:04,480 - Listen to me! - I don't want to go! 737 00:44:05,640 --> 00:44:06,840 - Stop! 738 00:44:07,040 --> 00:44:12,200 {\an1}... 739 00:44:12,440 --> 00:44:14,760 We go down the stairs. 740 00:44:15,000 --> 00:44:17,000 Heavy music 741 00:44:17,200 --> 00:44:23,560 {\an1}... 742 00:44:23,760 --> 00:44:25,239 - I have a brother? 743 00:44:25,480 --> 00:44:27,200 {\an1}... 744 00:44:27,440 --> 00:44:29,040 {\an3}Mom, I have a brother. 745 00:44:29,239 --> 00:44:35,200 {\an1}... 746 00:44:35,400 --> 00:44:36,719 I'm a little lost here. 747 00:44:36,920 --> 00:44:39,719 {\an1}... 748 00:44:39,920 --> 00:44:41,600 {\an3}I would like an explanation. 749 00:44:41,840 --> 00:44:43,840 {\an3}Alexander, he's my brother. 750 00:44:44,080 --> 00:44:47,120 {\an1}You haven't said anything to me all this time? It's... 751 00:44:47,320 --> 00:44:49,200 {\an1}... 752 00:44:49,400 --> 00:44:50,719 He stammers. 753 00:44:50,920 --> 00:44:53,800 {\an3}- Alexandre has always been violent, uncontrollable, 754 00:44:54,000 --> 00:44:55,600 {\an3}but then, when you were born, 755 00:44:55,840 --> 00:44:59,520 {\an3}it was even worse: He was jealous... 756 00:44:59,760 --> 00:45:03,200 {\an3}You barely walked that he tried to drown you. 757 00:45:03,440 --> 00:45:05,120 {\an1}I fished you out at the last minute. 758 00:45:05,320 --> 00:45:06,480 {\an1}And then... 759 00:45:07,840 --> 00:45:09,920 {\an3}We often found dead animals 760 00:45:10,120 --> 00:45:12,040 {\an3}around the house. 761 00:45:12,280 --> 00:45:13,360 {\an3}And then 762 00:45:15,000 --> 00:45:16,480 {\an3}when you were 5 years old, 763 00:45:18,160 --> 00:45:19,400 {\an3}he slaughtered a cow. 764 00:45:21,239 --> 00:45:22,320 {\an3}We asked him 765 00:45:22,560 --> 00:45:24,000 {\an3}why he did that. 766 00:45:26,200 --> 00:45:28,280 {\an3}He said it was to train. 767 00:45:30,160 --> 00:45:32,160 {\an1}- We were scared let him come after you 768 00:45:32,360 --> 00:45:33,560 {\an1}one day or another. 769 00:45:34,719 --> 00:45:35,880 {\an3}- Little Séverin 770 00:45:36,120 --> 00:45:38,920 {\an3}had seen the cow's throat slaughtered, he never recovered. 771 00:45:39,120 --> 00:45:42,280 {\an3}His parents demanded that we take away Alexander from the village. 772 00:45:42,480 --> 00:45:43,480 {\an3}We didn't know 773 00:45:43,719 --> 00:45:45,280 {\an1}what to do, he's the father 774 00:45:45,520 --> 00:45:49,360 {\an3}of Sabrina who found a place in a closed educational center. 775 00:45:51,800 --> 00:45:52,800 {\an3}But Alexandre 776 00:45:53,040 --> 00:45:56,840 {\an3}always refused to hear about it. 777 00:45:57,040 --> 00:46:00,840 {\an3}He ran away. We looked for him everywhere, 778 00:46:01,080 --> 00:46:02,400 {\an3}your mother and I, of course. 779 00:46:02,600 --> 00:46:04,840 {\an3}We never found him. 780 00:46:05,080 --> 00:46:09,080 {\an1}- Neither do the police, by the way. There are so many escapes... 781 00:46:10,160 --> 00:46:12,360 {\an1}When he turned 18, they stopped looking for him. 782 00:46:14,560 --> 00:46:15,760 {\an1}I believe that deep down, 783 00:46:16,920 --> 00:46:19,400 {\an1}we always hoped may he never come back. 784 00:46:19,640 --> 00:46:22,239 Dramatic music 785 00:46:22,480 --> 00:46:24,800 {\an1}... 786 00:46:25,000 --> 00:46:27,719 - You did as if he had ever existed? 787 00:46:28,800 --> 00:46:30,920 {\an3}It has become my imaginary friend! 788 00:46:31,160 --> 00:46:34,560 {\an1}- You were so little! We wanted to protect you. 789 00:46:34,800 --> 00:46:36,560 {\an1}... 790 00:46:36,800 --> 00:46:38,280 {\an1}He would have killed you, Raphaël. 791 00:46:38,520 --> 00:47:00,760 {\an1}... 792 00:47:00,960 --> 00:47:02,680 We failed everything with him. 793 00:47:03,840 --> 00:47:04,920 I was scared. 794 00:47:06,239 --> 00:47:08,040 I was afraid of losing you too. 795 00:47:08,280 --> 00:47:10,560 {\an1}... 796 00:47:10,800 --> 00:47:13,440 {\an3}I didn't know how to go about it with you, 797 00:47:14,520 --> 00:47:17,840 so i tried to do everything 798 00:47:18,040 --> 00:47:20,120 so that you don't become like him. 799 00:47:20,320 --> 00:47:23,200 {\an1}... 800 00:47:23,400 --> 00:47:24,400 - Okay. 801 00:47:28,480 --> 00:47:29,880 {\an3}Where is he now? 802 00:47:31,880 --> 00:47:33,719 - We don't know. - How so ? 803 00:47:33,960 --> 00:47:37,800 {\an3}He lived 3 kilometers from here. 3 kilometers from this house. 804 00:47:38,040 --> 00:47:40,680 - We didn't know! He never returned to the village. 805 00:47:40,880 --> 00:47:42,160 *Mermaid 806 00:47:42,400 --> 00:47:44,400 Tension music ... 807 00:47:44,600 --> 00:47:53,600 ... ... 808 00:47:53,800 --> 00:48:00,280 {\an1}... 809 00:48:00,480 --> 00:48:02,480 Dramatic music 810 00:48:02,680 --> 00:48:08,400 {\an1}... 811 00:48:08,640 --> 00:48:11,440 - Open up, it's the police. - Go through the woods, 812 00:48:11,680 --> 00:48:13,000 {\an3}they won't find you. 813 00:48:13,239 --> 00:48:16,600 There, go ahead. - Are you opening? It's the police! 814 00:48:16,840 --> 00:48:19,360 Madam, you open, or I'll break down the door! 815 00:48:19,600 --> 00:48:20,760 {\an3}Okay, they're stupid. 816 00:48:21,000 --> 00:48:22,680 {\an3}Where is Costes? Costs! 817 00:48:22,880 --> 00:48:24,760 {\an3}OK, come on, let's go in. 818 00:48:24,960 --> 00:48:27,400 {\an1}... 819 00:48:27,600 --> 00:48:28,600 {\an1}- It becomes 820 00:48:28,840 --> 00:48:29,840 {\an3}a habit! 821 00:48:31,960 --> 00:48:33,160 {\an1}There's no one left. 822 00:48:33,360 --> 00:48:36,840 {\an1}... 823 00:48:37,040 --> 00:48:38,040 - Where is he? 824 00:48:38,280 --> 00:48:41,840 {\an1}... 825 00:48:42,080 --> 00:48:43,160 {\an3}-Raph! 826 00:48:44,360 --> 00:48:46,040 {\an3}Raph, damn! Raph! 827 00:48:46,239 --> 00:48:47,320 {\an3}Stop! 828 00:48:47,520 --> 00:48:49,520 Don't move! Don't move! 829 00:48:50,520 --> 00:48:52,680 {\an3}Don't move. Raise your hands. 830 00:48:52,920 --> 00:48:53,880 {\an3}Raise your hands! 831 00:48:55,160 --> 00:48:56,120 {\an3}Surrender. 832 00:48:57,120 --> 00:48:58,440 Surrender. 833 00:48:58,680 --> 00:49:00,880 {\an1}- I can't. I know who did this. 834 00:49:01,080 --> 00:49:02,600 {\an1}It's my brother, Alexandre. 835 00:49:02,840 --> 00:49:04,040 - Your brother? 836 00:49:04,280 --> 00:49:05,920 - I can't explain everything to you. 837 00:49:06,160 --> 00:49:08,040 {\an1}The only way to exonerate myself, 838 00:49:08,280 --> 00:49:10,040 is to surprise him. 839 00:49:10,280 --> 00:49:11,520 {\an1}Train signal 840 00:49:11,760 --> 00:49:14,920 - What are you doing? - For that, I must disappear. 841 00:49:15,160 --> 00:49:16,719 - Don't move! - I try. 842 00:49:16,960 --> 00:49:18,320 {\an3}- What are you doing? 843 00:49:18,560 --> 00:49:19,480 Train signal 844 00:49:19,719 --> 00:49:21,880 {\an1}- I never did it. I can make it happen. 845 00:49:22,120 --> 00:49:23,400 {\an3}- What are you doing? 846 00:49:23,640 --> 00:49:25,480 {\an1}... 847 00:49:25,719 --> 00:49:26,800 Raph! Damn! 848 00:49:27,040 --> 00:50:15,480 {\an1}... 849 00:50:15,680 --> 00:50:18,040 *-And now, let's get back to this matter 850 00:50:18,280 --> 00:50:20,920 {\an1}who monopolizes the Parisian police forces: 851 00:50:21,120 --> 00:50:22,840 {\an1}the hunt for Dr. Balthazar. 852 00:50:23,040 --> 00:50:25,280 {\an1}While the teams are hard at work 853 00:50:25,520 --> 00:50:28,440 {\an1}to locate Balthazar, implicated in the case 854 00:50:28,640 --> 00:50:31,480 {\an1}of the double homicide of Monralieu a few days ago, 855 00:50:31,719 --> 00:50:33,920 we're waiting for the reaction of the prefecture. 856 00:50:34,160 --> 00:50:36,520 - You are under arrest. 857 00:50:36,760 --> 00:50:40,440 *-Balthazar escaped the forces police jumping out the window 858 00:50:40,640 --> 00:50:43,480 during his custody. How does a sworn doctor, 859 00:50:43,680 --> 00:50:46,640 former director from the Paris medico-legal institute, 860 00:50:46,840 --> 00:50:49,840 so appreciated by his colleagues and its hierarchy, 861 00:50:50,040 --> 00:50:54,000 with sometimes contested methods, could he be involved in this affair? 862 00:50:54,200 --> 00:50:56,719 Dr. Balthazar directed, until recently, 863 00:50:56,920 --> 00:51:00,239 the Paris forensic institute, and would have evaded... 864 00:51:00,440 --> 00:51:02,960 Epic music 865 00:51:03,200 --> 00:51:18,920 {\an1}... 866 00:51:19,120 --> 00:51:21,800 Soft music 867 00:51:22,040 --> 00:51:24,160 The engine is running. 868 00:51:24,360 --> 00:51:27,080 {\an1}... 869 00:51:27,280 --> 00:51:30,719 *-... investigation into a double homicide occurred in Monralieu, 870 00:51:30,920 --> 00:51:33,000 a few days ago. And above all, 871 00:51:33,200 --> 00:51:35,760 the burning question everyone's lips: 872 00:51:35,960 --> 00:51:37,800 where is Dr. Balthazar? 873 00:51:38,000 --> 00:51:40,680 ... Tension music 874 00:51:40,880 --> 00:51:53,200 {\an1}... 875 00:51:53,400 --> 00:51:55,239 Cabaret music 876 00:51:55,480 --> 00:51:57,880 {\an1}... Applause and exclamations 877 00:51:58,080 --> 00:52:26,360 ... ... 878 00:52:26,560 --> 00:52:29,560 SUBTITLE: RED BEE MEDIA 879 00:52:55,960 --> 00:52:56,000 .